Haidakhandi Arati

Haidakhandi Arati

L’offerta della luce del mattino (al Padre) e della sera (alla Madre)

Raccolto — non opera nostra

Scarica

La stessa opera in più versioni — prendete quella che vi serve.

Nella cartella di origine c’erano altre due copie degli stessi testi con nomi di file diversi; il loro contenuto è identico a quello dei file qui presenti, perciò se ne pubblica una sola copia per ciascuno.

Su quest’opera

L’arati cantata a Haidakhan mattina e sera — l’offerta della luce a Shri Babaji e alla Madre Divina. Offerta qui in tre forme: la traduzione inglese, il sanscrito traslitterato per il canto (con una guida alla pronuncia) e un unico foglio illustrato con entrambe le arati affiancate.

Traduzione e provenienza

Non abbiamo scritto né tradotto questo testo. È stato trovato condiviso liberamente all’interno della tradizione di Haidakhan ed è raccolto qui, senza modifiche, perché resti disponibile. Se ne detenete i diritti, vi preghiamo di scriverci.

Tradotto da
Non tradotto da questa biblioteca
Edizione di riferimento
Trovato liberamente disponibile online all’interno della tradizione di Haidakhan. Non abbiamo scritto né tradotto quest’opera; è raccolta qui perché sia preservata.
Riprodotto
Si ritiene distribuito liberamente dalla tradizione di Haidakhan. Se detenete diritti su quest’opera, scriveteci e provvederemo ad attribuirla o a rimuoverla.

About this book

The offering of light sung morning and evening at Haidakhan — to Bābājī at dawn, to the Divine Mother at dusk.

Source
Haidakhandi Samaj
Contains
Nineteen pieces (English) · sixteen (transliterated Sanskrit) · about 7,000 words together
Sung
Morning to Bābājī, evening to the Divine Mother
Read here in
English translation and transliterated Sanskrit, plus an illustrated sheet

Āratī is the offering of light — a flame moved before the divine image while verses are sung. At Haiḍākhāṇ this is done twice daily: in the morning to Bābājī, in the evening to the Divine Mother, described here as the Father’s and the Mother’s offering respectively.

What is inside

PieceAbout
Om Śrī Sadgurave NamaḥaThe āratī to Śrī Bābājī
Hymn to the Lord of SagesŚrī Munīndra Stava
Hymn to the King of Sages IIŚrī Munīndra Sūkta
InvocationJaikār
Prayer to Lord ŚivaŚivāṣṭak
Prayer of Self-SurrenderŚaraṇāgati Stav
and further piecesthe collection runs to nineteen in English, sixteen in transliterated Sanskrit

Offered three ways

This is one of the more practically organised items on the shelf: the same āratī is given as an English translation for readers who want the sense, as transliterated Sanskrit with a pronunciation key for those who want to sing it in the original sound, and as a single illustrated sheet setting both the morning and evening āratīs side by side — the form most useful to someone actually attending or leading the ceremony.

A small honest note on the source

The source folder held two further copies of the same lyrics under different filenames, word for word identical to the files published here. Rather than publish duplicates, only one copy of each piece is offered — a minor editorial fact, but one this library records rather than leaves silent.

Who compiled it

Issued by the Haidakhandi Samaj, the community that maintains Bābājī’s āśrams. As with the bhajans collection, these are not the work of a named author but the community’s own living liturgy, gathered here rather than composed for this edition.

What you are actually reading

  • A collected liturgical text, not translated by this library.
  • Offered in English, in transliterated Sanskrit with a pronunciation guide, and as a single illustrated sheet with both aratis together.

If you are deciding where to start

Read — or sing — this if you want the specific daily offering used at Haiḍākhāṇ itself, in a form built for actual use rather than only reading.

Read Haidakhan Bhajans first if you want the broader songbook before this more focused, twice-daily liturgical piece.