About this book
Mahendra Mahārāj's own account of searching for his Sadguru — translated into English in 1972 on Bābājī's own direct instruction.
- Author
- Śrī Mahendra Mahārāj — Śrī Charaṇāśrit
- Contains
- One long autobiographical work · about 30,300 words
- Translated
- Hindi → English, Vṛndāvan, October 1972, by assignment from Bābājī Himself
- Read here in
- English · Italiano
Anupam Kṛpā — the peerless grace — is Mahendra Mahārāj’s own record of the search that took up most of his life: the search for the Sadguru he had glimpsed once as a child and spent some twenty-five years looking for. Where Parichayāmṛt introduces him through others’ essays, this book is closer to autobiography — his own account, in his own words, of longing, searching, and finding.
What is inside
The book runs as one continuous work rather than discrete chapters, opening with the translator’s own preface — itself part of the book’s story — and moving into Mahendra Mahārāj’s account proper: the ache of separation from the Divine, the restlessness that ordinary beauty could no longer soothe, and, eventually, reunion. It closes with a set of verses written on the occasion of Bābājī leaving Vṛndāvan on 22 October 1972, addressed directly to Him as “our Beloved, our guru and our friend.”
An unusual chain of translation
The Translator’s Preface tells a story worth knowing before you read the book itself. In October 1972, “Pūjya Śrī Śrī 1008 Haiḍākhān Bābājī” personally gave an anonymous translator the task of rendering this work from Hindi into English — during one of that translator’s visits to Vṛndāvan to be near Bābājī. The translator is candid about his own limits: his Hindi was, by his own account, barely rudimentary, and he claims no textual or literal accuracy, taking sole responsibility for whatever shortcomings a more capable reader might find.
That English text later passed into Italian, translated by Natascia Valentini (“Tara Bianca”). The edition offered here restores the English from that Italian version, with all twenty-two original photographs kept in their original positions — a translation of a translation, undertaken because the direct English original could not be recovered, made as faithfully as that unusual path allows.
What the writing itself is like
Much of the book is devotional rather than narrative — long passages of longing addressed directly to Bābājī, in language closer to poetry than prose: “As a starving beggar, given a morsel too small to still his hunger, feels the gnawing of his emptiness more keenly than before, so I, having tasted Thy Divine Grace, can scarcely live now except in Thy presence.” This is not a book of events reported at a distance — it is the interior record of the search itself, written by the man who made it.
Who wrote it
Mahendra Mahārāj, who signed himself Charaṇāśrit — the same author whose four essays make up Parichayāmṛt. If you have read that book, this is his own account of the very search those essays only summarise: twenty-five years, ending in recognition of Bābājī in a photograph at Almora in 1949.
What you are actually reading
- The English here is restored from an Italian translation of the original Hindi, following a translation chain begun on Bābājī’s own instruction in 1972 — a genuinely unusual provenance for a text on this shelf.
- An Italian edition is offered alongside it.
- Twenty-two original photographs are preserved in their original positions.
If you are deciding where to start
Read this once you already know Mahendra Mahārāj from Parichayāmṛt and want his own voice, in his own words, rather than essays written about him — closer to a diary of longing than a biography.
Read Parichayāmṛt first if you have not yet met him; this book assumes you already know who is speaking and why the search mattered so much to him.